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Top Ten Wartime Romances

The backdrop of war has often provided an epic setting for some of the greatest romances in cinematic history, as audiences’ appetite for tragic love stories shows no sign of abating. To celebrate the release of Testament of Youth, out now on digital platform and on Blu-ray and DVD from 25th May 2015, courtesy of Lionsgate Home Entertainment, we take a look at some of the greatest wartime romances to hit the screen... tissues at the ready!

Testament of Youth (2014)

Vera Brittain (Alicia Vikander), irrepressible, intelligent and free-minded, overcomes the prejudices of her family and hometown to win a scholarship to Oxford. With everything to live for, she falls in love with her brother’s close friend Roland Leighton (Kit Harington) as they go to University to pursue their literary dreams. But the First World War is looming and as the boys leave for the front Vera realises she cannot sit idly by as her peers fight for their country, so volunteers as a nurse. Both Vikander and Harington bring a wonderful playfulness to their initial courtship (with brilliant comedic support from Joanna Scanlan as their chaperone), and as the war separates them evolve this chemistry into something utterly moving.

Cold Mountain (2003)

This critically acclaimed wartime epic tells the story of Confederate soldier Inman (Jude Law) who undertakes a perilous journey back home to Cold Mountain, North Carolina, in order to reunite with his sweetheart, Ada (Nicole Kidman), the woman he left behind to fight in the Civil War. Along the way, he meets a long line of interesting characters, all the while avoiding the soldiers tasked with hunting deserters. Parallel to his story is Ada’s, as she struggles to learn the ropes of managing her deceased father's farm with help from the scatty, no-nonsense Ruby (an Oscar-winning turn from Renée Zellweger), all the while fantasising about the return of her lost love. Kidman and Law spend hardly any screen time together, yet their brilliant, yearning performances more than make up for this to illustrate their desperation and longing to reunite.

Birdsong (2012)

This BBC mini-series based on Sebastian Faulk’s novel recounts the life and times of Stephen Wraysford (Eddie Redmayne). An English soldier fighting in the trenches of Northern France during WWI, he is continually haunted by the memories of the French Isabelle (Clémence Poésy), a married woman he had an affair with 6 years previously. Redmayne and Poésy are perfectly cast as the impetuous lovers, while the backdrop of a balmy summer in provincial France perfectly captures the claustrophobia and repression of their predicament.

Atonement (2007)

This heartbreaking wartime drama based on Ian McEwan’s bestselling novel boasts a stellar cast, including Keira Knightley, James McAvoy, Saiorse Ronan, Benedict Cumberbatch and Vanessa Redgrave. When the budding romance between Cecilia Tallis (Knightley) and Robbie Turner (McAvoy) is cut brutally short following a lie told by Bryony Tallis (Ronan), the repercussions span several decades. After choosing the army over prison, Robbie is stationed at Dunkirk, while Cecilia takes a role as a nurse in London. Knightley provides a masterfully reserved turn as the stoic Cecilia, while McAvoy’s take on the morally upstanding, innocent and fundamentally kind Robbie is completely heartbreaking – and special mention must be given to Wright’s masterful tackling of the novel’s twist ending.

Casablanca (1942)

This classic WWII drama, starring Ingrid Bergman and Humphrey Bogart as former lovers Rick Blaine and Ilsa Lund, takes place in unoccupied Casablanca and is responsible for one of the most mis-quoted movie lines of all time. When the Nazi Major Strasser (Conrad Veidt) arrives in Casablanca, the sycophantic police Captain Renault (Claude Rains) goes above and beyond to appease him- including detaining Czechoslovak underground leader Victor Laszlo (Paul Henreid). Lazslo’s partner is Ilsa, who ran out on Blaine in Paris and left him completely embittered. But when it transpires that her reasons were honourable, the pair hatch a plan to run off together again, and pick up where they left off...

The English Patient (1996)

Anthony Minghella wrote and directed this multi-award winning epic based on Michael Ondaatje's novel about a doomed romance set against the backdrop of WWII. In a field hospital in Italy, nurse Hana (Juliette Binoche) is caring for a pilot who was horribly burned in a plane wreck. Hana determines mid evacuation that the patient shouldn't be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. Slowly, she begins to piece together the patient's story told in flashbacks. She discovers that her charge is in fact the Hungarian Count Laszlo Almásy (Ralph Fiennes) –who while mapping unchartered territory in North Africa, was thrown together with English couple Geoffrey (Colin Firth) and Katherine Clifton (Kristin Scott-Thomas) resulting in an affair which lead him to betray not only his friend, but his country.

The End of the Affair (1955)

Adapted by Lenore Coffee from Graham Greene’s novel, this classic stars Van Johnson as Maurice Bendrix, the clandestine lover of married Sarah Miles (Deborah Kerr). When Maurice disappears during the London blitz, Sarah is overwhelmed with guilt, feeling that her unfaithfulness has led to Maurice to be placed in danger. In a fit of desperation she prays for his safe return, promising to end the affair if only his life is spared... and the rest is in the title. Featuring wonderfully emotionally complex performances from all the leads, the film is also notable for a standout performance from John Mills, as the private detective hired by Sarah’s husband Henry (Peter Cushing) to keep tabs on her whereabouts. 

Gone with the Wind (1939)

One of the most beloved movies of all time, and winner of ten Academy Awards, including for Hattie McDaniel’s and Vivien Leigh’s performances, Gone with the Wind follows the life of spoiled, pampered Southern belle Scarlett O'Hara (Leigh). After discovering a former beau is engaged, Scarlett’s behaviour leads her straight into the arms of the wayward Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the spirited, self-absorbed Scarlett. The movie’s action continues, through the American Civil War, the burning of Atlanta, Scarlett’s journey from riches to poverty, and three marriages, all the way to the now-classic closing line, "Frankly, my dear, I don't give a damn."

Life is Beautiful (1997)

This stunning tragicomedy was directed by Roberto Benigni and also garnered him a best leading actor Academy Award. Set in 1939, Benigni plays Jewish-Italian Guido Orefice working as a waiter to fund his plans to open a bookshop. When he meets a school teacher named Dora (Nicoletta Braschi), his effervescent humour ultimately sweeps her off her feet. On the fifth birthday of their son Giosué (Giorgio Cantarini), World War II is in full force, and since they are Jewish, the Germans take away Guido and Giosué to a labour camp. Wanting to be with her family, Dora insists she goes too, but is taken to the women's side of the camp. In an attempt to protect Giosué from the horror of their situation and ensure they are not separated, Guido tells him that they are playing a game, in which he can win points by staying out of sight of the guards. The first to win 1000 points wins a real tank. Guido's primary goal is to keep Giosué safe at all cost, while he desperately tries to find out a way to get his family out of the camp and keep the Germans at bay before they discover Giosué.

Shining Through (1992)

David Seltzer's adaptation of Susan Issacs' novel is set during WWII, and stars Melanie Griffith and Michael Douglas as work colleagues who ultimately become lovers. When Linda Voss (Griffith) applies for a job with international lawyer Ed Leland (Douglas), he hires her immediately upon discovering she is fluent in German. He’s an undercover OSS officer in need of a German translator, but when America enters the war, he abandons his practice to become a full-time spy. Meanwhile Linda travels to Berlin to infiltrate the Nazis and find out more about "a bomb that can fly by itself" ... as well as desperately searching for the whereabouts of her Jewish relatives.

Testament of Youth is available now  on digital platforms  and on Blu-ray and DVD from 25th May 2015, courtesy of Lionsgate Home Entertainment.

BFI To Release Feng Xiaogang's Back To 1942 Starring Adrien Brody, Tim Robbins, Watch UK Trailer

From acclaimed director Feng Xiaogang (Aftershock, Assembly) comes this breathtaking war epic which revisits one of the most catastrophic periods of 20th-century Chinese history – the famine in Back to 1942 will be released by the BFI on 23 February 2014 on both DVD and Blu-ray with additional special features.

Henan Province during the 1942 Sino-Japanese War. Previously unavailable in the UK,

Zhang Guoli stars as Master Fan, a wealthy landlord who loses everything when he and his family flee their famine-stricken hometown. Academy Award-winner Adrien Brody (The Pianist) co-stars as a courageous American journalist who encounters the horrors of the famine first-hand and endeavours to enlist relief-aid from the Chinese government and expose the plight of the Henan refugees.

Awe-inspiring action and intelligent characterisation combine to masterful effect in this explosive blockbuster.

Back to 1942 was screened at BFI Southbank last February, attended by director Feng Xiaogang, ahead of the major BFI season A Century of Chinese Cinema.



Back To 1942 will arrive in UK on DVD&Blu-ray on 23rd February and we hope to review this closer to release. The film Guoli Zhang, Hanyu Zhang, Wei Fan and of course Hollywood Stars Adrien Brody, Tim Robbins.

Pre-Order/Buy Back To 1942 (Blu-ray Edition which comes a host of extras  which include original trailers, promoreel, a couple of short features. The blu-ray also exclusively have 2 extra features which give a running time of  80 minutes  between them.

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Blu-ray Review - Wings (1927)

Genre:
Drama, War, Romance
BD/DVD Release Date:
27th January 2014 (UK)
Distribution:
Eureka! Distribution
Rating:
PG
Director:
William A. Wellman
Cast:
Clara Bow, Charles 'Buddy' Rogers, Richard Arlen
Buy:WINGS (Masters of Cinema) (Dual Format Blu-ray & DVD)
William A. Wellman’s silent epic will forever be remembered as the winner of the first ever Academy Award for Best Picture. But this, in itself, can be seen as a bit of a misnomer. For 1927 had two Best Picture categories at the Academy Awards, one for Best Picture, Production, and the other for Best Picture, Unique and Artistic Production. Wings won for Production while the far superior Sunrise, a Song of Two Humans by F.W. Murnau won the award for Unique and Artistic Production, an award that to my ears, but not to those of the Oscar historians, sounds like the better award of the two.

But, to put the Academy Award nit-picking to one side, Wings winning of the Best Picture, Production award could not be more apt as the no expenses spared special effects and superb art direction are the films only saving grace. I say this because the story itself is over-simplistic, overly sentimental, and just the most tiresome type of straightforward, melodramatic Hollywood weepie type storytelling you could possibly imagine. To illustrate how straightforward the storyline is, I am now going to give away the films plot in full.

Mary lives next door to Jack, the boy she loves; she jovially helps him fix up his automobile. She paints a shooting star on the side and says, “D’you know what you can do when you see a shooting star? Well… you can kiss the girl you love.” “Maybe I will,” Jack responds. She purses her lips in anticipation. Jack, however, unaware of this, drives off in search of Sylvia, the gorgeous girl visiting from the big city. She is the one he loves. Unbeknownst to Jack, Sylvia loves another, the town’s rich boy, David. David loves her too. Then war breaks out. Both boys sign up for the air force. Jack visits Sylvia to say his goodbyes and mistakenly takes a keepsake locket meant for David. Then off they go to war.

Jack and David are both stationed at the same barracks. They don’t get along. Eventually a fight breaks out and by the end of it they are the best of friends. Jack still believes that Sylvia loves him. David, however, knows this not to be true but keeps it from his new best friend. Then off to France. They both see combat. Lots of combat. Then Mary makes an appearance in France. She finds Jack, drunk and in Paris on leave. He doesn’t recognise her. She is sent back home. Then comes the “Big Push” and the war nears its end. Jack and David have a fall out over Sylvia’s keepsake and head off into battle. Jack returns. David doesn’t. A distraught Jack rushes heedlessly into the next battle. He shoots down an enemy plane. Flying it was David, who had survived against all odds and escaped from behind enemy lines. He dies. Jack returns home.

Upon returning home Jack catches up with Mary. They sit together on the hood of the car they jovially fixed at the beginning of the film. A shooting star flies across the night’s sky. Jack turns to Mary and says, “Do you know what you can do when you see a shooting star?” Yes, she nods, “You can kiss the girl you love.” They kiss. The film ends.

Now, as classical melodrama goes, the story is nice enough but the film spends two and a half hours to tell it. But what is it all for? The only themes I can discern are that of luck and unrequited love which pop up throughout the film and then there is that overwhelming sense of patriotism that is constantly thrown at the audience. And this is the films biggest problem; it does not know what it wants to be. If Wellman wanted a big patriotic war epic then fine that is what he should have made. And if he wanted to make a beautiful melodramatic weepie about unrequited love then that would have been fine too. But as it stands the film is an epic mess.

★★½☆☆

Shane James